Summary
The 1950s produced plenty of memorable sci-fi book adaptations, as filmmakers sought inspiration from both pulp fiction and well-respected authors. In the aftermath of the Second World War, and with the Cold War in full swing, sci-fi in the 1950s reflected the common anxieties of the era. The atomic age and the space race both represented frightening new frontiers in the world of science, and many sci-fi movies also borrowed from the horror genre.
In one way or another, the best sci-fi movies of the 1950s explored what could happen in the near future. Studios often looked for inspiration from the popular sci-fi novels of the era. In other cases, they saw the timeless themes of older classics by authors from previous centuries. Book adaptations produced some classics of the sci-fi genre in the 1950s, includingInvasion of the Body SnatchersandThe War of the Worlds.
10 Black And White Sci-Fi Movies That Completely Changed The Genre
Many people dismiss black and white films as outdated, but some sci-fi classics from decades ago helped create the genre as it is today.
10The Thing From Another World (1951)
Based on Who Goes There? by John W. Campbell
John W. Campbell’s novella “Who Goes There?” is probably most famous these days as the basis for John Carpenter’s sci-fi/horror classicThe Thing,but it was adapted into a movie over 30 years earlier.The Thing From Another Worldis a very different kind of monster movie. While Carpenter’s version is all about paranoia and mistrust,The Thing From Another Worldis a more traditional monster movie.
John W. Campbell’s novella “Who Goes There?” is probably most famous these days as the basis for John Carpenter’s sci-fi/horror classicThe Thing,but it was adapted into a movie over 30 years earlier.
The Thing From Another Worldis one of many greatmonster movies from the 1950s, and the Thing is typical of the era’s menacing creature designs. The hulking plant-based brute fed into fears of the unknown as humanity was starting to dip its toe into space exploration.Howard Hawks is listed as the film’s writer and producer, but the shot composition and overlapping, naturalistic dialogue scenes suggest that he may have also had a hand inThe Thing From Another World’s direction.
H.G. Wells’The War of the Worldsisone of the most influential sci-fi novels of all time, and it has been adapted into several movies, TV shows and radio dramas. The 1953 film version is abrilliant alien invasion moviewhich constituted a great leap forward for sci-fi. The movie features a race of technologically advanced aliens waging war on Earth in their tripod-shaped spacecraft.
The War of the Worldswas first published in 1898, but this film adaptation came after audiences had already witnessed the large-scale horrors of two world wars.
The War of the Worldswas first published in 1898, but this film adaptation came after audiences had already witnessed the large-scale horrors of two world wars. Suddenly, the prospect of humanity’s demise didn’t seem so fanciful. The aliens inThe War of the Worldsplayed on contemporary fears of outside invaders coming to destroy the established status quo, but it’s just as much about humanity’s muddled response to existential threats.
8This Island Earth (1955)
Based on This Island Earth by Raymond F. Jones
This Island Earthwas an eye-popping sci-fi spectacle when it was first released, with gorgeous technicolor and plenty of creative visual effects.This Island Earthis an expansive space opera about a race of bug-eyed aliens who use the Earth as a pawn in an intergalactic war. Humans fight back to regain their independence and their autonomy, but they are powerless in a game that they can’t comprehend.
This Island Earthwas an eye-popping sci-fi spectacle when it was first released, with gorgeous technicolor and plenty of creative visual effects.
This Island Earthdeviates a lot from Raymond F. Jones' novel, which was published just two years earlier. The movie cuts some of the complicated political intrigue and a few supporting characters, and it inserts a romantic subplot, as many Hollywood adaptations do. Decades later, it’s the movie which has survived, not the novel. This has a lot do with the splashy visual grandeur of the production.
The Incredible Shrinking Manfollows a man afflicted with a strange disease that causes him to gradually shrink. By the time he is the size of a child, he becomes caught in a media storm, but he is soon forgotten about as he shrinks smaller and smaller. By the end, he is abandoned in the basement of his home as he starts to be dwarfed by mice and insects eyeing him up like a potential meal.
The Incredible Shrinking Manhas a clever approach to its visual effects, but it’s also a powerful allegory for terminal disease.
The Incredible Shrinking Manhas a clever approach to its visual effects, but it’s also a powerful allegory for terminal disease. The story is about how Scott deals with his circumstances, but it’s also concerned with how other people treat him as he and his needs change. Unlike most sci-fi movies of the era,The Incredible Shrinking Mannever provides any explanation for its central mystery. Scott only assumes that his shrinking is linked to a mysterious cloud that surrounds him, but the cloud’s origins remain unknown.
Invasion of the Body Snatchershas endured for far longer than most other 1950s sci-fi movies, and it has influenced countless alien invasion movies. Jack Finney’s novel was adapted a second time in 1978. Both adaptations are worth watching, but it’s hard to beat the intense, eerie atmosphere of the 1956 original. The story features an insidious alien plot to slowly replace people with bland automatons.
Invasion of the Body Snatchershas endured for far longer than most other 1950s sci-fi movies, and it has influenced countless alien invasion movies.
Each version ofInvasion of the Body Snatchersputs its own spin on Finney’s novel. The 1956 iteration was released just two years after the book was published, so it exists within the same social context.Invasion of the Body Snatchersreflects the American Red Scare of the 1950s. The story hints at the creeping paranoia and malice bubbling beneath the surface of white-picket-fence middle America.
When Worlds Collideis a space-age Noah’s Ark tale, but the spaceships and sci-fi costumes do very little to pull focus from the biblical overtones. The movie opens with a quote from Genesis about how God decided to wipe out humanity, and the plot focuses on the mad scramble as people try to protect themselves from oblivion. The chaos shows precisely why civilization has been doomed to perish, either by divine intervention or random cosmic indifference.
When Worlds Collideis all fire and brimstone, but it has plenty to offer beyond its religious themes.
When Worlds Collideis all fire and brimstone, but it has plenty to offer beyond its religious themes. Prophetic visions of an apocalyptic future are especially prevalent in sci-fi movies during times of great social upheaval, so the 1950s produced many similar stories.When Worlds Collidehas plenty of miniatures and painted backdrops which look quaint by today’s standards, but it’s an ambitious cautionary tale about the perils of nuclear armament.
There were many sci-fi movies in the 1950s which adapted contemporary novels, but20,000 Leagues Under the Seais based on a Jules Verne novel from 1870.The Disney adventure movie assembles a stellar castheaded by Kirk Douglas and James Mason, finally bringing Verne’s popular novel to the big screen with all the splendor and richness that it deserves. Previous adaptations simply didn’t have the scope or the technology to do so.
20,000 Leagues Under the Seawas revered for its visual effects, and its design helped to birth the steampunk aesthetic.
In an era when sci-fi movies were looking up to the stars,20,000 Leagues Under the Seaacted as a reminder that there were still undiscovered creatures hidden on Earth. There is just as much horror and adventure in the oceans explored by Captain Nemo and his crew as there is on the fictional planets of other movies.20,000 Leagues Under the Seawas revered for its visual effects, and its design helped to birth the steampunk aesthetic.
3Journey To The Center Of The Earth (1959)
Based on Journey to the Center of the Earth by Jules Verne
20,000 Leagues Under the Seawasn’t the only popular Jules Verne novel to receive a big-budget movie adaptation in the 1950s. Five years after the box office success of20,000 Leagues Under the Sea,20th Century Fox releasedJourney to the Center of the Earth,another dazzling adventure that proved to be a hit with fans.Journey to the Center of the Earthfollows a race between two competing teams to find the secrets hidden in the planet’s core.
Unlike the Cold War,Journey to the Center of the Earthfeatures dinosaurs, the city of Atlantis and a cannibal.
The exploration inJourney to the Center of the Earthis reminiscent of Scott and Amundsen’s scramble to plant a flag at the South Pole, but in the 1950s the story took on a new meaning. The competing teams, one American and one European, represented the two interested parties in the space race. Unlike the Cold War,Journey to the Center of the Earthfeatures dinosaurs, the city of Atlantis and a cannibal.
2On The Beach (1959)
Based on On the Beach by Nevil Shute
On the Beachis set in the 1960s, after the fallout from World War III has wiped out all life in the Northern Hemisphere. People in Melbourne, Australia wait for the clouds of radiation to eventually drift south and kill them, and they handle the news of their impending doom differently. Some engage in acts of drunken debauchery, while others sit in shock, refusing to believe that their loved ones in the U.S. are dead. Perhaps most disturbing of all are the racing drivers in the Australian grand prix who give their all to either win the race or die trying.
On the Beachset the tone for many other post-apocalyptic sci-fi movies.
On the Beachmakes plenty of changes to Nevil Shute’s 1957 novel. The most significant is that the book details the story of the war, while little is known about what really happened in the movie. This is even more powerful, as there is nobody to blame for humanity’s demise, and the reasons behind the conflict fade into insignificance.On the Beachset the tone for many otherpost-apocalyptic sci-fi movies.
Mary Shelley first wroteFrankensteinin 1812, when the advent of electricity and the industrial revolution were changing the world irreversibly. The horror story plays on humanity’s anxieties about rapidly advancing technologies, and whether they can be placed into human hands, and this theme has ensured the story has remained just as popular centuries later.Guillermo del Toro is making his ownFrankensteinadaptation, proving that the characters and the story are still relevant.
The Curse of Frankensteintakes some liberties with Shelley’s story, but the building blocks are unmistakable.
Boris Karloff’s version of the monster may still be the gold standard, but horror icon Christopher Lee does a superb job in 1957’sThe Curse of Frankenstein.Peter Cushing, another veteran villain actor, plays the egomaniacal Dr. Frankenstein, and he highlights the character’s own monstrous qualities.The Curse of Frankensteintakes some liberties with Shelley’s story, but the building blocks are unmistakable.
